crossmosh

Description

A controlled datamoshing engine that manipulates motion vectors, frame ordering, and predictive compression structures to create stylized glitch-drift distortions.
Unlike chaotic or accidental datamoshing, crossmosh provides intentional control over how macroblocks bleed, drift, smear, or desynchronize across frames.

Purpose

crossmosh is designed for artists who want to:

• create predictable or semi-controlled datamosh effects,
• push temporal motion-vector corruption while avoiding full-stream collapse,
• blend A/B sources for hybrid glitch states,
• generate drifting smear artifacts characteristic of broken P-frames and missing I-frames,
• build glitch art sequences without external tools or hand-edited GOP destruction.

It is ideal for music videos, experimental film, VJ loops, and any stylized glitch aesthetic.

How It Works

1. Input Streams
   Two sources may be involved:
   • primary input via -i
   • secondary / cross-input via --b_input
2. Predictive Frame Manipulation
   The module alters GOP structure, destroys or delays keyframes, or selectively reuses motion vectors from one stream to infect the other.
3. Mode-Based Behavior
   --mode defines the style of the mosh:
   • smearing,
   • drift,
   • cross-pollination,
   • decay-driven glitch propagation.
4. Decay & Blending
   • --decay controls how long corrupted vectors persist.
   • --blend controls how heavily A and B frames influence each other.
5. GOP / Codec Control
   The choice of codec and GOP size directly impacts artifact shape and stability.

Program Template

videobeaux -P crossmosh \
  -i input.mp4 \
  -o output.mp4 \
  --b_input VALUE \
  --outfile VALUE \
  --codec VALUE \
  --qscale VALUE \
  --gop VALUE \
  --keep_temp VALUE \
  --mode VALUE \
  --frames VALUE \
  --decay VALUE \
  --blend VALUE

Arguments

• b_input — Optional secondary video input used for cross-mapping and motion-vector grafting.
• outfile — Output filename created during temporary processing.
• codec — Codec used for mosh-friendly transcoding (e.g., MPEG-4, H.264 with low keyframe frequency).
• qscale — Quantizer scale value; lower = cleaner blocks, higher = more chaotic degradation.
• gop — Keyframe interval. Long GOPs enable long drifting smears; short GOPs reset more frequently.
• keep_temp — If enabled, preserves intermediate files for debugging or reuse.
• mode — Defines the moshing behavior (drift, smear, cross-infect, or other available styles).
• frames — Number of frames to process or extend during the mosh.
• decay — Controls how motion-vector corruption fades or persists.
• blend — Controls mixing strength between A and B inputs during crossmosh operations.

Real World Example

videobeaux -P crossmosh \
  -i myvideo.mp4 \
  -o crossmosh_styled.mp4 \
  --b_input EXAMPLE \
  --outfile EXAMPLE \
  --codec EXAMPLE \
  --qscale EXAMPLE \
  --gop EXAMPLE \
  --keep_temp EXAMPLE \
  --mode EXAMPLE \
  --frames EXAMPLE \
  --decay EXAMPLE \
  --blend EXAMPLE

Program Output

Program output video not yet linked.

Technical Notes

• Datamoshing behavior is extremely sensitive to codec and GOP selection — MPEG-4 with long GOPs typically produces more dramatic artifacts.
• If using a second input (--b_input), mismatched resolutions may create unpredictable smear patterns.
• qscale strongly influences macroblock deformation and drift persistence.
• Temporary files may be required for multi-stage moshing; use --keep_temp to preserve them for debugging.
• Excessive decay or extreme blending may cause full frame collapse — this can be desirable depending on your aesthetic.

Recommended Usage

• Music videos requiring controlled glitch cascades.
• VJ loops and live visual sets that leverage drifting corruption.
• Collage work blending two unrelated videos via motion-vector infection.
• Experimental films exploring digital decay, compression failure, and structural distortion.

Quality Tips

• Lower qscale (e.g., 2–5) for smoother block smearing; higher (10–20) for chaotic chunking.
• Longer GOPs (100–300+) produce dramatic streak-based artifacts across many frames.
• Use blend modestly when incorporating a B-source; too high can obliterate A-source contours.
• For highly controllable decay, adjust both frames and decay interactively while testing small clips.
• For sharp outlines within a glitch, pre-process with gamma_fix or lut_apply before moshing.